So you think they can break-dance?
Forget the Bronx and South Central. If you want to find the best hip-hop dancers in the world look farther east, to South Korea.
By Jeff Chang
Jun. 26, 2008 |
This summer, the United States is reaching new heights of dance fever as TV shows like Fox's "So You Think You Can Dance" and MTV's "Randy Jackson Presents: America's Top Dance Crew" have returned to the airwaves. MTV's runaway hit is considered especially cutting edge, showcasing hip-hop dance groups from across America. But if MTV really wants the best dance crew, it should be looking in South Korea.
"Of the top six or seven crews in the world, I'd say half of them are from Korea," says Christopher "Cros One" Wright, 33, an American dance promoter and b-boy who was recently in Suwon, South Korea, to judge the second annual
global invitational hip-hop dance competition, called R16, that was held at the end of May.
The development of South Koreans' hip-hop dancing could be seen a cultural parallel to their sharp global ascendance in electronics and automaking. A decade ago, Koreans were struggling to imitate the Bronx-style b-boy and West Coast funk styles that are the backbone of the genre. Now, a handful of these crews are the safest bets to win any competition anywhere.
Certainly no country takes its hip-hop dance more seriously. The Korean government -- through its tourism board and the city of Suwon -- invested nearly $2 million in this year's competition. Two of the most successful teams, Gamblers and Rivers, have been designated official ambassadors of Korean culture. Once considered outcasts, the b-boys now seem to embody precisely the kind of dynamic, dexterous and youthful excellence that the government wants to project.
Although hip-hop dance goes back at least 35 years, the top Korean b-boys trace their histories back just 11 years, to 1997, the Year Zero of Korean breaking. By 2001, the first year that a Korean crew entered the Battle of
the Year -- the world's biggest b-boy contest -- they won "best show" honors and a fourth-place trophy. Every year since, a Korean crew has placed first or second. Says Battle of the Year founder Thomas Hergenrother, "Korea is on a different planet at the moment."
The R16 competition, held at the Olympic Sports Complex, is broadcast live in prime time in South Korea and dozens of other countries. The government expects to gross $35 million from advertising and TV rights this year. And
it isn't the only one profiting: Gamblers Crew, formed in 2001, may now be one of the most world's most lucrative hip-hop dance groups. The members regularly tour Asia, have endorsement deals with Fila, Kookmin Bank and
Enerzen energy drinks, and will star opposite American teen idol Omarion in the $25 million movie "Hype Nation," the latest in the Hollywood dance-ploitation genre, set to open next year.
While some fans on the message boards for "America's Best Dance Crew" still don't know what a "b-boy" is, the word in South Korea has become synonymous with national pride. B-boy contests around the world attract mostly young
males, but the R16 Sports Complex is full of grandparents, high school couples and teenage girls in their school uniforms. When one holds up a sign that reads "I (Heart) Physics!" she isn't referring to her college-prep
curriculum, but to the 24-year-old, Bogart-faced, elbow-spinning star of the Rivers crew, Kim "Physicx" Hyo-Geun.
In South Korea, b-boying rules. The question even Americans are asking is, "How did this happen?"
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